Tag: writer

  • For a former attorney, now young adult author, representation is key

    For a former attorney, now young adult author, representation is key


     

    A woman with short hair wearing red necklace.
    Author Francisco Stork (Courtesy Francisco Stork)

    Francisco Stork’s youth was so compelling that it makes for a great novel.

    He was born in Monterrey, Mexico in 1953 to a single mother from a middle class family in Tampico (a city on the Gulf of Mexico). She was sent to live in a convent in Monterrey, because her father did not want anyone to know that she was going to have a child out of wedlock.

    Six years later, his mother married a retired man more twenty years her senior, named Charles Stork, and he adopted Francisco and gave him his last name. After some time, Charles decided to bring the family to the United States for more opportunities. The three of them moved to El Paso, Texas when Francisco was nine. When Francisco was 13, Charles died in an automobile accident, and Francisco and his mom moved to the public housing projects of El Paso. Because of Francisco’s phenomenal grades, he was able to obtain scholarships to attend prestigious schools such as, Harvard and later Columbia Law School, which would change the direction of his life.

    It was not until his late 40’s, while working full-time as an attorney, that Stork wrote his first fiction novel for adults. By the time he was working on his second book, his two children were teenagers, so he started reaching back into the riveting memories of his youth and wrote them down. Today, he’s a young adult fiction author of seven novels. His last book, “Disappeared,†hit shelves this fall.

    “I like writing about young people,†says the author, now 64, who lives in a town outside Wellesley, Mass. There are a lot of important decisions that are made at that age.â€

    For his first young adult book, “Behind the Eyes†(2006), he wanted to share his experiences growing up in El Paso and living in the projects.

    “My kids had a very comfortable life,†says Stork. “I told the story of a young man in El Paso who gets in trouble with gangs. He was smart just like I was but was afraid to show he was smart.â€

    This plot parallels his own life.

    “When I was a little boy, I wanted to be a writer, because I loved to read,†says Stork. “In high school, I started keeping a journal. I started enjoying being alone and writing things.â€

    He says writing about personal situations became a habit for him that continued with him through graduate school and has lasted his entire life.

    “I was always guided by things to help me become a writer,†says Stork, adding that writing also provided a sense of self-acceptance for him. “You feel like your self-worth is validated.â€

    Although, Stork’s first love and passion has always been writing, when he was studying Latin American literature at Harvard, he later decided to pursue a career in real estate law.

    “I didn’t see any relevance to some of the topics I was asked to write about it,†says Stork about his time at Harvard. “I thought maybe if I did something more practical to make a living, I could write on the side.â€

    However, little did he know how time consuming the law profession would be. It was 25 years later that he was finally able to write.

    “Eventually, I found my way to the public sector, and the last 15 years I worked in affordable housing,†says Stork. “It was a job that was 9 to 5, and I had some time to write. It was challenging, but it was doing that job that I was able to write most of my books – almost all, except the last, were written when I was a lawyer.â€

    He say a lot of the stories were in him for a long time like little seeds, and then somehow they eventually blossomed.

    “Usually the character comes first, and then I imagine a person growing inside of me,†explains Stork.

    In his book, “The Memory of Light†(2016), he wrote about a teenage girl recovering from depression after a suicide attempt. This is also a topic close to the author’s heart.

    “Depression started when I was a teenager, and it continued through my life,†says Stork. “Ten years ago, I was diagnosed with bipolar disorder…In this book, I wanted to focus on the recovery aspect – that hasn’t been covered too much – the day to day to getting better. I poured into that book all of my experiences – it took me four years. It had to be hopeful so that if it fell into the hands of a young person with depression, it would turn them in the right direction.â€

    What helped him recover?

    “I had my family, my wife and my kids – I really didn’t have an option to be out of commission – they depended on me,†says Stork. “A lot of what helped me was trying to understand that it was an illness. When you have thoughts of not being worthy – [I now understand] that’s from the illness.â€

    For Stork, representation is also very important.

    “All my characters are Mexican-American – first or second generation,†he says. “Some are poor, some are smart, some have struggles – it’s really all over the spectrum. Hopefully I’m showing that these are human beings that happen to be Mexican – the race is not the focus, but an integral part…My hope is that the book becomes a space where young people see themselves reflected.â€

    A woman with short hair wearing red necklace.His latest novel, “Disappeared,†came right after the one about the girl with depression. The idea for it came during the 2016 U.S. Presidential campaign.

    “There were stories of Mexicans raping and killing young women, and I was sort of amazed at the number of people who kind of rallied behind this opposition to the undocumented immigrant, and the picture that was being painted of Mexicans,†says Stork. “I felt angry and wanted to do something with that anger… I wanted to show how complex the Mexican society was.â€

    So Stork decided to write about a fictional brother and sister in Juarez, and the factual topic of femicide happening all over Mexico and Latin America –thousands of women and girls have gone missing, or been killed, for more than two decades.

    “As a writer, the most important thing is that you enable the reader to go into the world of the novel and become a part of it,†says Stork. “What would be great is that if the novel brings a greater understanding of the people that are sometimes hated. We don’t understand the world they come from. We don’t realize how technologically advanced Mexico is, for example…The disrespect of women that led to all these killings of women – these feelings are also in the U.S. – which we are seeing now.â€

    He’s already thinking that his next book is going to talk about the same brother and sister, and their life now in the U.S.

    What would be the most important piece of life advice he’d like to give his younger self?

    “I would tell my younger self to concentrate on the enjoyment of the work itself. Don’t worry about the rewards – which may come or not come – just do your best. Do something that you enjoy, and something that is useful for others. Whatever happens after that is up to God and is in His hands…â€

  • Author Bob Brody on “Playing Catch with Strangers”

    Author Bob Brody on “Playing Catch with Strangers”


    A woman with short hair wearing red necklace.
    Bob Brody speaking at his book signing for “Playing Catch with Strangers” at the Forest Hills Library on September 16, 2017. (Courtesy Bob Brody)

    In “Playing Catch with Strangers,â€Â an essay published in The New York Times in 2015, Bob Brody writes that he played catch with his father only once in his life.

    “That summer afternoon, I felt about as happy as I’d ever felt. That’s how it goes when you’re 8 years old and playing catch with your dad,†writes Brody. “But then my father got busy with work, too busy to play catch with me anymore, always leaving early in the morning and returning late at night, and that turned out to be that. He had to do what he had to do.â€

    Although short-lived, that special day ignited a flame in Brody’s life that would never extinguish – one that would continually remind him the importance of having fun and nurturing relationships throughout his life. In addition to becoming a public relations executive and a writer, Brody, now 65, still makes it his joyous duty to play catch with anyone who is interested.

    His memoir, comprised of the many personal essays he’s written throughout his life about family and special moments, is similarly titled, “Playing Catch with Strangers: A Family Guy (Reluctantly) Comes of Age,â€Â and hit shelves this past June.

    “My new book covers my whole life…It’s a celebration,†says Brody. “It’s about my struggle to overcome immaturity. I resisted responsibility for a long time…It wasn’t until I was 35 [when my daughter was born] that I developed a real hard work ethic.â€

    He says his whole life he’d only wanted to be a writer.

    “That ambition took shape when I was 12,†recalls Brody, who ended up writing for his junior high, high school, and then college paper. “My grandfather bought me a New York Daily News subscription so I could read about the Yankees. I appreciated the directness of the language. I really didn’t get serious about writing till I was 18 – in college. Writing for the school paper, I became infatuated with words. I was not much of a storyteller at that point. I was just looking to see what I could do with language. I used to use big words – words that I will probably never use again. I’ve come to recognize short words can be good, short sentences can be good…I like street language too.â€

    He says if he had to do it all over, he really doesn’t know what else he could’ve become.

    “I guess I could’ve become a lawyer, but then I would’ve written about being a lawyer,†says Brody, smiling.

    Born in the Bronx, Brody lived there almost three years before migrating to the suburbs of Fair Lawn, NJ. He was always smitten with NYC, however, as he would often sleep over his grandparents’ house there, and his grandmother would take him to all the museums and concert halls, including Radio City Music Hall.

    At 23, after majoring in English at Fairleigh Dickinson University, he moved to Manhattan. This momentous occasion also led to his proudest career moment at 26 – getting published in The New York Times.

    “I wrote about the time I got mugged five weeks into living in New York City,†laughs Brody, who has since lived in Forest Hills, Queens for the past 40 years.

    Since his big break, Brody’s work has appeared in publications such as The Atlantic, The Washington Post and The Wall Street Journal, and more. He also wrote the book, “Edge Against Cancer,†which profiles 12 athletes who survived cancer and were able to return to competing in their respective sports.

    He says it was when his son and daughter were born that he realized he needed to find another source of income.

    “The only option I considered was public relations, because a lot of it is writing,†says Brody, who has now worked in PR for the past 26 years. “I majored in English, but I never trained for public relations. It was a tough adjustment, because for one, I was used to working on my own. I was used to being a solo act. When you work for a public relations firm, I had to learn how to be a teammate.â€

    At his full-time job, he says his work partly entails writing pitches, ghost writing op-eds, white papers, or memos.

    “My ideal life would be to write whatever I wanted for at least three hours a day, but I think PR is good for me,†says Brody, adding that he usually enjoys writing first thing in the morning. “If I had to write only what I wanted, I might get sick of my own voice.â€

    His first love will always be writing essays though. The very first short story he wrote was about a haunted house when he about 8, and currently, he writes approximately 20 essays a year.

    “I love telling a story that’s going to hit people where they live – make them smarter, or get them excited about something,†says Brody. “If I can write anything inspirational, that’s the holy grail. I also like the sense of control. It’s me and the blank screen. Me and the words, and how I want to tell the story. It’s fun to get published. I write to be read. All these years later, and I still never get tired of it.â€

    He says his five year plan entails writing three more books — the first being called, “Letters to My Kids,â€Â of which he already started an online blog (where he urges others to also write journals to their children), another would be a memoir honoring his deaf parents, and the last would be a memoir about working in public relations.

    “When I’ve written about something, I really feel like I’ve lived it,†says Brody about the necessity he feels to document his life with words. “I think I have much of it there in my new book– and it’s about the people closest to my heart.â€

    There are two pieces of advice about life he’s learned thus far that he would’ve liked to share with his younger self:

    “On family – I wish I knew years ago what family means to me now,†says Brody. “I feel I failed early on to realize the importance of family. In some respects, I’m too late and in some, I’m just on time…and work harder. You have less time than you think. The world is never going to come to you so take nothing for granted.â€

  • How writing her life story led a woman to inner healing

    How writing her life story led a woman to inner healing


    A woman with short hair wearing red necklace.
    Maria Aponte (Photo/George Malave)

    Maria Aponte was born and raised an only child in East Harlem, otherwise known as “El Barrio,†in New York City, to Puerto Rican parents.

    Because she lost her mother at 16, and her father at 22, loneliness was a battle she fought most of her life, but it was also what made her the undefeated warrior and artist that she is today. And perhaps, the eternal yearning for parental guidance and wisdom, is what drove her to create a non-profit which honors elders later in life.

    At 60, Aponte has achieved much. She has written and performed two one-woman plays, the autobiographical “Lagrimas de mis Madres,†and “I Will Not Be Silenced,†based on the life of Sor Juana Ines de la Cruz. She has also written a poetry book, and a memoir, “The Gift of Loss,†which most recently hit shelves. In addition to working full-time in career development at Fordham University, she also started a non-profit called Latina 50 Plus four years ago, through which she honors other Latina pioneers over the age of 50.

    “I got the opportunity to tell my story in “Lagrimas de mis madres,†says Aponte about the play based on the women in her family, which she wrote during her undergrad years.

    A woman with short hair wearing red necklace.
    Aponte performing in her one woman show, “Lagrimas de Mis Madres.” (Photo/Elena Marrero)

    She says the story came easily, because she wrote the script using the poetry she had written throughout her youth.

    “I wanted to tell this story, because I was the last woman in my family, and I thought it could help others,†says Aponte, adding that she knew her work touched the audience when people would wait in the lobby to thank her for her courage to tell her story. “Eventually, it became a full-length play on off-Broadway. I took it on the road for 10 and a half years around the country.â€

    Because she was not the “typical looking Puerto Rican actress” of the time, she explains, like Rita Moreno – but more Afro-Latina in appearance, Aponte says she found she would get more work if she wrote plays herself. Her next play about Sor Juana de la Cruz, she also developed into a one-woman show and took it on tour around the country.

    “I was an introvert, and I think the arts saved me,†says Aponte, about how she dealt with the early death of her mother. “Even though it was painful, I was always able to use my art to deal with my pain.â€

    She says she knew she was born to be an artist as young as age 7.

    “I knew I wanted to be in the theater ever since I was a munchkin in the school play, ‘The Wizard of Oz’ – I connected to the stage,†says Aponte. “I was jumping up and down one day, and I smelled dust from the wooden planks of the stage, and I loved the smell. My first influence was my drama teacher at 13 – I was learning lines and stage plotting…I knew then that I knew I would be an artist, and I always have been in some form.â€

    She adds that her favorite medium will always be theater.

    “I love live theater,†says Aponte. “When I do a poetry reading, I end up performing…To me, it’s not just memorizing lines but developing character and taking the audience on a journey. I fell into the poetry thing in the 80’s, and that’s when I started writing more. My saving grace was the Nuyorican Poet’s Café. When I walked in, I felt like I was walking into El Barrio. That’s where I discovered my Puerto Rican pride, and where I connected with elders like Pedro Pietri.â€

    She says she also learned a lot from the late Miriam Colon who was the founder and director of NYC’s Puerto Rican Traveling Theater.

    “My elders taught me about my history and my culture,†says Aponte, who moved to the Bronx in the 1980’s, where she still resides today with her husband and fellow storyteller, Bobby Gonzalez.

    Now that she’s older, she would like to return the same favor and be an example for the youth she encounters.

    Aponte has led a structured presence, in her otherwise diversified creative life, working full-time at Fordham University for the past 19 years. She has spent time in various departments, but has stayed in career services for the past 11 years – in the managing diversity initiative, and in 2014 she simultaneously completed her MA in Latino Studies.

    “I don’t think you should stay stuck,†says Aponte. “I love the life I live today. A typical month could also involve sitting on panels and supporting other artists’ work. My heart is in the betterment and development of women of color.â€

    For herself, she realized how life growth happens in stages, over time, and she tries to teach that to others.

    “I was always telling my story in pieces. I have played my grandmother, mother, myself as a child, and as a woman,†says Aponte. “I would never address my father. My parents separated when I was two. My dad was actually not a bad person, just an alcoholic. He was a percussionist and could sing…but I never experienced him myself, just from what I heard from others. I wanted to write also about forgiveness.â€

    Through her writing, Aponte says she has documented the amount of years it took her to become her own woman.

    “It is about coming to terms with who you are, and thinking, ‘Wow, I went through all that,’ she says. “I have a tremendous gratitude for life. Like right now as I’m speaking to you, I’m smiling.â€

    She adds that most people don’t want to deal with emotion, but everyone has to at their own timing.

    “People say I’m so calm, but I say it’s a lot of work,†says Aponte. “The best I can do is plant a little seed.â€

    Why she created Latina 50 Plus?

    “In the industry I work in, career development, I felt that older Latina women were disappearing,†says Aponte. “I felt I needed to create a space where their history wouldn’t be lost. We need to honor the elders who rolled up their sleeves before us.â€

    Latina 50 Plus is a non-profit currently in its fourth year. The fourth annual luncheon, taking place on June, 24, will be honoring seven women in the fields of art, community service, education, medicine, law and literature.

    The next goal, she says, is a mentoring program.

    Her advice to her younger self?

    “Being a child caregiver, I would ignore myself,†says Aponte. “I had to really work hard on that. That’s how my brain worked. That could be your own obstacle…You have to have passion and persistence, because if you don’t, you can get swallowed up in the mundane stuff. You must discover yourself. Ask yourself, ‘Who am I?’ Everyone is going to have that moment. Don’t be afraid of it. Accept yourself with all of your imperfections. It’s ok if you mess up.â€

  • Civil rights era poet shares how he aims to create civility in today’s society

    Civil rights era poet shares how he aims to create civility in today’s society


    A woman with short hair wearing red necklace.
    Poet E. Ethelbert Miller (Photo\Annie Kim)

    Eugene Ethelbert Miller, who goes by his middle name, “Ethelbert,†is a writer and literary activist who says he’s never been busier than at 66.

    Originally from the Bronx, NY, Miller made his way to Washington, D.C. to attend Howard University at 18. He’s been residing in the U.S. capitol ever since, where he’s written several collections of poetry, two memoirs and where he has served as editor of America’s oldest poetry journal, “Poet Lore.â€Â His most recent book, “The Collected Poems of E. Ethelbert Miller,†hit shelves last year.

    The award-winning poet also loves to discuss history and politics, and thus currently hosts and produces half-hour segments with experts in different fields, called, “The Scholars†on UDC-TV, and is the host of the weekly morning radio show, “On the Margin,†which airs on WPFW-FM 89.3. 

    “I made the decision to be a writer my sophomore year [of college],†recalls Miller. “I arrived to Howard University in 1968 – the year Martin Luther King, Jr. was assassinated, and then following that, Robert Kennedy was assassinated in June. The Vietnam War was going on – 1968 was one of the most important years in world history.â€

    He says it was during this time that he was “sort of baptized in black history.â€

    “I wanted to be involved in every aspect of writing about it,†says Miller about the politically-charged time, as sharply and energetically as if it were just yesterday. “It was just like now – with the Woman’s March and Black Lives Matter…â€

    He remembers writing his first poems on the back of envelopes on his letters to family back in NY – his favorite topic being love.

    “I wrote many love poems,†says Miller. “I wanted to leave behind poems that were similar to Pablo Neruda’s work.â€

    Eventually, his poems made it to the school newspaper, and then a DJ started to read his poems on Howard’s school radio.

    “Last year, my collective works came out,†continues Miller. “Now I can hold in my hand a body of work that represents 40 years.â€

    As the first member of his family to go to college, he considers this quite the accomplishment.

    “My family is from the West Indies,†says Miller. “My father worked in the post office, my mother was a seamstress. College was a strain financially, and when I said I wanted to be a writer, it took them a while to understand.† 

    However, he has no regrets on his career choice.

    “When I look back on my writing, it took me to places that I couldn’t have gone otherwise,†says the poet, mentioning the U.S. State Department sponsored some of his trips. “I went to Iraq, Saudi Arabia, people would send me to all sorts of places.â€

    Miller also spent 40 years as director of the African American Resource Center at Howard University, where he was able to give back to an institution that has given him so much.

    “I was one of the first graduates of African American Studies at Howard University,†says Miller, explaining it was one of the first schools to offer this program in history. “Howard students pushed for the African American Studies Department, and the Ford Foundation gave a large grant to set up the department, and part of it was the Resource Center.â€

    Miller started out as a student at the Resource Center, and then became a director in 1974. He describes it as a place with a lot of books, and a base to document African American history.

    “I made a lot of contacts working there – there’s probably no African American writer I don’t know,†says Miller, remembering the memorable time Alex Haley, the author of “Roots†and “The Autobiography of Malcolm X†came to meet him there. “A lot of people came through that program. When you stay at a place 40 years, you are going to touch a lot of lives, and a lot of lives are going to touch you.â€

    However, about two years ago, Miller says budget cuts shut down the program, and he was let go.

    “You might have three, four, or five professions in your life. I worked in a place for 40 years. That way of life is not coming back,†says Miller about the changing times. “Now, you’re most probably not going to marry your high school sweetheart. [And that] redefines what family really is.â€

    Miller says one of his most challenging roles was being a father and raising two kids. And even in fatherhood, the way he used language was intentional – even in naming them.

    “I’m a baseball person, and I look at my life in terms of innings – now, I’m going through the 7th inning stretch,†explains Miller. “When you reach your 70’s, you still have your life ahead of you. Jazz musicians are still performing in their 80’s, and that should be a guide for all of us. As an artist, you are not dependent on an employer. [Your art] never stops until you die.â€

    Right now, he says he’s doing better than ever, and it’s the busiest “inning†of his life.

    “Before, I was not making a living as a writer. I was never applying for grants and fellowships, but now I am free to travel and write more,†says Miller. “My career has really taken off. I finally have an assistant. She edited my collected works, which would never have happened if I was with the University. It made me very, very productive. Some people think I don’t sleep.â€

    He’s also been the board chair of the Institute of Policy Studies for the past 10 years (currently the interim chair) – a progressive think tank working to build social, cultural and economic equality.

    “I chose the board – I moved our organization to a new facility. I put Danny Glover on our board, and Harry Belafonte,†says Miller, adding they discuss things from domestic workers to healthcare issues. This is the first year that I know personally well two members of Congress. Some of those people I’ve met through the Institute. People associate me with literature, but I’m also involved in politics. My day has a lot of projects – I’m doing a tour of the south right now – going to all the black schools with my friend, a filmmaker. Just came back from New Orleans, and next we are heading to Tuskegee in Alabama. There’s a lot to do – a lot of collaborations. Being a writer, you’re not just concerned about what’s going on in the U.S. but all around the world. That’s how you should live your senior years. If you stay healthy, you can make a contribution…What we need today is heroes.â€

    What is the most important piece of advice about life that you would tell your younger self knowing what you know now?

    “I think what I’ve learned now are two things: We have to practice deep listening. We have to understand what [people] are afraid of, what they’re suffering from. Then the next level is compassion. Once you get past that point of compassion, then you can talk about the beloved community. There are levels. You have to prepare yourself spiritually for the steps…Every day when you wake up, fix something that’s broken. That way you know there’s going to be something different between today and yesterday. That’s how you know…You gotta make some changes, and it might be very small. Sometimes the first thing you gotta fix is your heart…When I look at my love poems, they’re always about desire and seeking. If you can in your life have one good friend, then you have done something that is very, very difficult, because you have to love that person with all their flaws. It takes a strong spiritual point of arriving, too – that level of love is what we’re really lacking in society. We are losing that with our young people – we’ve gotta bring caring and civility back. I see people yelling at each other and no deep listening.â€

  • Award-winning author celebrates 60 and how writing saved her from her emotions

    Award-winning author celebrates 60 and how writing saved her from her emotions


    A woman with short hair wearing red necklace.
    “I always wanted to jump out of a cake,” says Sandra Cisneros. (Photo/Tracy Boyer)

    On a typical day, Sandra Cisneros likes to wake up gently, without an alarm clock, around 9:30am. She stays in her pajamas until 1pm, and then starts writing on her covered terrace until sunset, while surrounded by her five small dogs. Her peaceful lifestyle mirrors her delicate demeanor.

    A woman with short hair wearing red necklace.
    Sandra running on her birthday in Mexico. (Photo/Macarena Hernandez)

    This past Saturday night, however, was a bit out of the ordinary. Cisneros went out on the town dressed up as a cake.

    The award-winning author of several books, including “The House on Mango Street†and her most recent “Have You Seen Marie,†explains this behavior is unlike her normally introverted self, but she was celebrating an important milestone — turning 60.

    “I have never felt younger or happier – now I can take care of me,†she says. “It’s a good time.â€

    The Chicago-born Mexican-American has always lived a very busy, even if quiet, life.

    “I started writing when I was in middle school,†remembers Cisneros about how it all started. “I was in the Chicago Public Library looking through the card catalog. You could tell which cards were fingered more often than others. I was looking at a very soft dogeared card. I thought, ‘This book must be very loved.’ I wanted my own card to be loved and dirty from people touching it – from so many readers looking for it – it was very clear from a young age.â€

    She says she’s not sure she she chose her life-long career, but it found her.

    “It was always inside me,†says the graceful Cisneros. “It was a way in dealing with my emotions. I didn’t have a way to handle all the stimulus before that. I didn’t see it as a career it was more of medicine.â€

    Cisneros explains that ever since she was a young child, she often felt overwhelmed by stimuli around her.

    “I can’t go, to this day, to a supermarket,†she says. “I can’t filter things the way other people can. I didn’t realize that my experience was not common. My mom used to say I was a baby and used to make me feel bad. The only one who understood it was my father.â€

    She explains although she often felt like an outsider in her exterior world, she says she always had a rich interior world, and writing made her feel less lonely.

    “When I don’t have art, my machine stops – it helps balance my life,†says Cisneros, who received her first national award by the time she was 30.

    She says thanks to her mom who thought she would become a secretary (her father thought she would marry and become a housewife), she took typing in high school.

    “I knew that I couldn’t depend on marrying somebody,†says Cisneros who never married or had children. “Women need to control their money, and they need to control their fertility. It’s your body, and it’s your life. Nobody should get in the way of that.â€

    In addition to earning an MFA in 1978 and becoming an accomplished writer, Cisneros has held various creative writing teaching positions around the country, and founded two organizations that serve writers: the Macondo Foundation (now administered by the Guadalupe Cultural Arts Center) and the Alfredo Cisneros del Moral Foundation, which she recently closed down.

    After struggling with her emotions throughout her life, she made it her mission to help students going through the same.

    “I tell students – the ones that are sensitive – that they have a very important job to be artists,†says Cisneros. “It’s a wonderful thing, and someone needs to be able to translate that for those who cannot.â€

    She says her sensitivity has not diminished as an adult.

    “I have to not be around a lot of people, except when I have to be,†says Cisneros. “I have to rest before I go in public…It drains me.â€

    After living nearly three decades in San Antonio, Texas, and the past two years in Mexico, Cisneros says she has finally sold her house in Texas and is looking for a new house to be based across the border — where she says she feels the most at home.

    “Part of me living in Mexico is finding my retreat to be more private, and do more writing,†says Cisneros, who just finished writing a personal collection of stories called “A House of My Own,†which will be published in October 2015. “It’s all about finding what I need…I know my needs now that I’m older. I think i’m going to be traveling more globally and collaborating with different people. I want to grow.â€

    And what is the most important piece of life advice she would give her younger self?

    “I would tell my younger self not to get so hung up on the men in my life,†says the author. “I had so many men in my life, and now I wish I had more, and I would not get all hung up on one. They are such babies. I didn’t find men who were very mature…You have to find someone where you are the beloved. That’s the only way to settle. Forget about the others. I always take their age and divide it by two. I need to find someone who is 100 years old!†[laughing]