Tag: playwright

  • How writing her life story led a woman to inner healing

    How writing her life story led a woman to inner healing


    A woman with short hair wearing red necklace.
    Maria Aponte (Photo/George Malave)

    Maria Aponte was born and raised an only child in East Harlem, otherwise known as “El Barrio,†in New York City, to Puerto Rican parents.

    Because she lost her mother at 16, and her father at 22, loneliness was a battle she fought most of her life, but it was also what made her the undefeated warrior and artist that she is today. And perhaps, the eternal yearning for parental guidance and wisdom, is what drove her to create a non-profit which honors elders later in life.

    At 60, Aponte has achieved much. She has written and performed two one-woman plays, the autobiographical “Lagrimas de mis Madres,†and “I Will Not Be Silenced,†based on the life of Sor Juana Ines de la Cruz. She has also written a poetry book, and a memoir, “The Gift of Loss,†which most recently hit shelves. In addition to working full-time in career development at Fordham University, she also started a non-profit called Latina 50 Plus four years ago, through which she honors other Latina pioneers over the age of 50.

    “I got the opportunity to tell my story in “Lagrimas de mis madres,†says Aponte about the play based on the women in her family, which she wrote during her undergrad years.

    A woman with short hair wearing red necklace.
    Aponte performing in her one woman show, “Lagrimas de Mis Madres.” (Photo/Elena Marrero)

    She says the story came easily, because she wrote the script using the poetry she had written throughout her youth.

    “I wanted to tell this story, because I was the last woman in my family, and I thought it could help others,†says Aponte, adding that she knew her work touched the audience when people would wait in the lobby to thank her for her courage to tell her story. “Eventually, it became a full-length play on off-Broadway. I took it on the road for 10 and a half years around the country.â€

    Because she was not the “typical looking Puerto Rican actress” of the time, she explains, like Rita Moreno – but more Afro-Latina in appearance, Aponte says she found she would get more work if she wrote plays herself. Her next play about Sor Juana de la Cruz, she also developed into a one-woman show and took it on tour around the country.

    “I was an introvert, and I think the arts saved me,†says Aponte, about how she dealt with the early death of her mother. “Even though it was painful, I was always able to use my art to deal with my pain.â€

    She says she knew she was born to be an artist as young as age 7.

    “I knew I wanted to be in the theater ever since I was a munchkin in the school play, ‘The Wizard of Oz’ – I connected to the stage,†says Aponte. “I was jumping up and down one day, and I smelled dust from the wooden planks of the stage, and I loved the smell. My first influence was my drama teacher at 13 – I was learning lines and stage plotting…I knew then that I knew I would be an artist, and I always have been in some form.â€

    She adds that her favorite medium will always be theater.

    “I love live theater,†says Aponte. “When I do a poetry reading, I end up performing…To me, it’s not just memorizing lines but developing character and taking the audience on a journey. I fell into the poetry thing in the 80’s, and that’s when I started writing more. My saving grace was the Nuyorican Poet’s Café. When I walked in, I felt like I was walking into El Barrio. That’s where I discovered my Puerto Rican pride, and where I connected with elders like Pedro Pietri.â€

    She says she also learned a lot from the late Miriam Colon who was the founder and director of NYC’s Puerto Rican Traveling Theater.

    “My elders taught me about my history and my culture,†says Aponte, who moved to the Bronx in the 1980’s, where she still resides today with her husband and fellow storyteller, Bobby Gonzalez.

    Now that she’s older, she would like to return the same favor and be an example for the youth she encounters.

    Aponte has led a structured presence, in her otherwise diversified creative life, working full-time at Fordham University for the past 19 years. She has spent time in various departments, but has stayed in career services for the past 11 years – in the managing diversity initiative, and in 2014 she simultaneously completed her MA in Latino Studies.

    “I don’t think you should stay stuck,†says Aponte. “I love the life I live today. A typical month could also involve sitting on panels and supporting other artists’ work. My heart is in the betterment and development of women of color.â€

    For herself, she realized how life growth happens in stages, over time, and she tries to teach that to others.

    “I was always telling my story in pieces. I have played my grandmother, mother, myself as a child, and as a woman,†says Aponte. “I would never address my father. My parents separated when I was two. My dad was actually not a bad person, just an alcoholic. He was a percussionist and could sing…but I never experienced him myself, just from what I heard from others. I wanted to write also about forgiveness.â€

    Through her writing, Aponte says she has documented the amount of years it took her to become her own woman.

    “It is about coming to terms with who you are, and thinking, ‘Wow, I went through all that,’ she says. “I have a tremendous gratitude for life. Like right now as I’m speaking to you, I’m smiling.â€

    She adds that most people don’t want to deal with emotion, but everyone has to at their own timing.

    “People say I’m so calm, but I say it’s a lot of work,†says Aponte. “The best I can do is plant a little seed.â€

    Why she created Latina 50 Plus?

    “In the industry I work in, career development, I felt that older Latina women were disappearing,†says Aponte. “I felt I needed to create a space where their history wouldn’t be lost. We need to honor the elders who rolled up their sleeves before us.â€

    Latina 50 Plus is a non-profit currently in its fourth year. The fourth annual luncheon, taking place on June, 24, will be honoring seven women in the fields of art, community service, education, medicine, law and literature.

    The next goal, she says, is a mentoring program.

    Her advice to her younger self?

    “Being a child caregiver, I would ignore myself,†says Aponte. “I had to really work hard on that. That’s how my brain worked. That could be your own obstacle…You have to have passion and persistence, because if you don’t, you can get swallowed up in the mundane stuff. You must discover yourself. Ask yourself, ‘Who am I?’ Everyone is going to have that moment. Don’t be afraid of it. Accept yourself with all of your imperfections. It’s ok if you mess up.â€

  • Poet Laureate of Iowa writes about our food system

    Poet Laureate of Iowa writes about our food system


    A woman with short hair wearing red necklace.
    Mary Swander, Poet Laureate of Iowa

    For the past 30 years, Mary Swander has risen at 6 every morning in her one-room farmhouse in Kalona, Iowa – a town known for being one of the largest Amish communities west of the Mississippi.

    She, herself, is not Amish, or a farmer, however – although she does raise ducks and geese and a large organic vegetable garden from which she grows her own food.

    Swander, who recently turned 66, is the Poet Laureate of Iowa, and her 40-year writing career is currently at a peak.

    The multiple award winner for the literary arts has written the memoirs, “The Desert Pilgrim,†and “Out of This World,†as well as several books of poetry, a musical, “Dear Iowa,†and the plays, “Vang,†a drama about recent immigrant farmers and “Map of My Kingdom,†which tackles the issue of farmland ownership transfer. Both plays will be presented on November 13 at the Change Food Festival, which will be held at New York University in NYC.

    There’s a reason why much of Swander’s art focuses on food systems. It was food which was the cause of her debilitating illnesses she has battled for most of her life.

    “I became very chemically sensitive, and I ended up in a special hospital in Chicago,†recalls the writer. “They tested me on foods one at a time, and it took me months to come up with 12 foods which I should not eat. I had all sorts of symptoms. The worst ones were blacking out, horrible stomach pains – a whole variety of things. From that hospital, they told me to eat only organic food. They didn’t know if it was the hormones in the food, or pesticides that I was reacting to.â€

    It was after a severe sickness in 1983, at age 33, when she made her life-changing decision to move to Amish country, which is characterized by the “old-fashioned†life amidst horse and buggies and sprawling farmland.

    “I could only eat organic food, and it was really hard to find at that time, so I started going to the Amish to buy it from them,†says Swander. “I got to know the area and the people, and one day I drove by an old schoolhouse and it had a ‘for sale’ sign. I thought how great that would be for somebody, and that somebody turned out to be me.â€

    After her new diet cured her, Swander became very busy teaching English for more than 35 years at eight different colleges and universities. She spent the most time teaching at Iowa State University, where she became a “distinguished professor.†Eventually, she left teaching to become executive director of AgArts – an organization she founded, which began as a small group at ISU in 2008, and grew into a national non-profit organized through collectives throughout the U.S.

    “I was appointed poet laureate in 2009, and then in 2011, two more years, and then two more years,†says the Iowa-native, about her governor-appointed position which typically lasts two years. “The idea is to promote the literary arts around the state of Iowa.â€

    During her seven year tenure so far, Swander has traveled to all 99 counties of her state to host readings and workshops in nursing homes, colleges, prisons, elementary schools, book clubs, rotaries, women’s clubs.

    “Every day, I look at my calendar and look at where I’m supposed to go,†says Swander. “People contact me. I did a couple of projects for the Department of the Blind and the School for the Deaf. I’m really interested in helping people with disabilities because of my experiences.â€

    Being a writer was an idea conceived in Swander’s mind as a kid, but she actually started writing at 21 and has stayed with it ever since.

    “Some days I don’t like it, because it feels like work,†she says laughing. “But I love literature, and I love to read…I have a lot of influences from Chaucer’s ‘The Canterbury Tales’ to Elizabeth Bishop – a huge range of people. I started out in poetry – in which I wrote four books, but I’ve written non-fiction, plays and journalism.â€

    Swander received her M.F.A. from the University of Iowa Writers Workshop, and she also became a certified and licensed practitioner of therapeutic massage.

    “I think for any artist, the biggest challenge is carving out time to do your art, but then you have to pay the bills at the same time,†says the writer, explaining how she started a massage therapy business at one point to supplement her income. “There’s a million different ways to arrange your life to do that so you have to find the way that works for you.â€
    Nothing makes her more proud however, she says, than when she has a new book come out.

    “I’m always happy to write the next book, or perform the next play, or get the next idea for the next book,†says Swander, who also likes to educate the American public simultaneously. “We’ve got a huge horrible problem going on…Corporate America is taking over organic food…Too many preservatives, dyes and chemicals. It’s just not really healthy, and it’s all subsidized by big agriculture.â€

    What advice would she give her younger self?

    “I would tell my younger self to just relax more and realize you’re on a journey. You have to put effort into things, but there are forces out there bigger than you are, so you might as well go with the flow.â€

  • “La Bamba,” “Zoot Suit” writer on the importance of building community

    “La Bamba,” “Zoot Suit” writer on the importance of building community


    A woman with short hair wearing red necklace.
    Luis Valdez (Courtesy El Teatro Campesino)

    Do you remember reading the play, “Zoot Suit†in high school or watching the movie “La Bamba†(1987), based on the life of 1950’s rocker Ritchie Valens, starring Lou Diamond Phillips and Esai Morales? They were both written by multi-award winning playwright and director, Luis Valdez.

    He is also the founder of the longest running Chicano theater in the U.S. El Teatro Campesino is located in the rural community of San Juan Bautista, Calif. – approximately 150 miles northwest from where he was born to migrant farm worker parents.

    “I was born in 1940 in a labor camp in Delano…the west side of Delano was separated by the railroad tracks,†says Valdez, now 74. “The Asians, Mexicans, and African Americans were on the west side, and the White people lived on the east side of the tracks.â€

    Valdez says he remembers understanding as early as age six, that he was born into a segregated land.

    Years later, in 1955, he remembers the segregation continued. There was a young man who was called “C.C.†who decided to sit in the middle of the movie theater and not in the section designated for “non-whites.â€

    “The police took him away,†says Valdez. “There was no law – it was custom. They released him, and the following week, a whole group went and sat in the middle of the theater. Years later, I went to work with the UFW [United Farm Workers], and my mom said, ‘Don’t you know who C.C. is? He is Cesar Chavez.â€

    It was in 1965, while volunteering with the UFW, that Valdez founded El Teatro Campesino – a theater troupe for farm workers and students. The theater, he says, served as a way to inform, educate and also provide laughter during very hard times for strikers.

    A woman with short hair wearing red necklace.
    El Teatro Campesino performing in the 1960’s. (Courtesy El Teatro Campesino)

    “I’ve seen the evolution of theater, film and television,†says Valdez regarding his continually growing work with El Teatro Campesino, which still continues today. “My focus has been on historical periods so people can know who we are today…now we’re focused on developing the young.â€

    Valdez says it was school that changed the trajectory of his life. It was his mom who sent him and his brother to school one day with their lunches packed in a little brown paper bag – a luxury, he says, in those days.

    “I used to take care of my little bag, but one day my bag was missing,†Valdez remembers back to the first grade. “My teacher said, ‘I took it. It’s for a mask I’m making for a play.’ I forgave her for the bag, and the next week, I auditioned and I got my first part in a play – a monkey. I was looking forward to my first debut in front of the world on a Monday. I told my mom, and she said, ‘We’re leaving Friday. We were being evicted.â€

    Valdez says he was six and devastated. However, that episode in his life was crucial, because it gave him the insatiable desire to pursue theater for the rest of his life.

    “It was at San Jose State University that I began to write and produce,†says Valdez. “I wrote my first full-length play there, and just last month, my son produced ‘Zoot Suit’ – it ran two weeks. It’s come full circle – 50 years after I graduated.â€

    What piece of life advice would Valdez tell his younger self if he could?

    “I would tell my young self, and others, that it’s important to develop people skills…It comes with giving respect when respect is due. Genius is not an excuse to mistreat other people. A true genius is a genius of compassion and humility…I’m happy to say that El Teatro Campesino is composed of 12 people who have been together the past 40 years. They have had other careers but are still pitching in and helping out. In an odd way, that keeps us young. That’s a great feeling. It’s amazing to me. They’ve become maestras and maestros in their own right…We got a slow start incorporating women into the group, but some of our greatest collaborators have been with women. I would talk to my younger self about the importance of that…These are lessons they I’ve learned along the way. We are all human, and we all have a heart.