Tag: Hispanic

  • Former CEO of Telemundo now a leader for Hispanic films and students

    Former CEO of Telemundo now a leader for Hispanic films and students


    A woman with short hair wearing red necklace.
    Jim McNamara (Courtesy Hispanic Scholarship Fund)

    Jim McNamara says he was often the only “gringo†in the room who knew Spanish.

    He was born and raised in Panama City, Panama and left for the first time to attend Rollins College in Winter Park, Florida in 1972. Today, he resides in Miami, where he is the chairman of Pantelion and Panamax Films, as well as the Hispanic Scholarship Fund.

    “My dream was to be a golfer,†says McNamara, 60. “I went to college with a golf scholarship.â€

    However, life had other plans for McNamara.

    “Through a series of events, I was befriended by Arnold Palmer – ‘the god of golf,’ he says. “He helped me get more focused, and I got into the sports industry.â€

    One of McNamara’s first jobs was representing athletes and promoting sporting events.

    “I quickly learned I was not a good agent,†he says. “I was transferred to the television division. I didn’t know anything, but I was searching for something I could be good at.â€

    He says he worked his way up the ranks, and then got a job at New World Entertainment, an American independent motion picture and television production company. After five years learning the media ropes, he got a job as CEO of Spanish-language television network, Telemundo.

    “I immersed myself in it,†says McNamara. “We really transformed Telemundo from a buyer [of programming] to a producer. I’m very proud of it.â€

    He says after that experience, he decided he really wanted to give back to the Hispanic community that was truly meaningful. That’s what brought him to serve on the board of the Hispanic Scholarship Fund – a non-profit organization which provides scholarships and pre-college support services to Latino students – and where he’s been serving for the past 10 years.

    “Our message is, ‘Don’t let the cost of college get in the way.’ Now I’ve become aware of what this means to the future of the U.S.,†says McNamara about the organization. “I truly think we are serving the country, and the U.S. Hispanic population directly, with the scholarships and directly informing parents and students.â€

    He goes on to say that he believes with the growing number of Hispanics in the U.S., every American company should hire Hispanics to make up 17 percent of their workforce.

    “It is in their best interest that the entire Hispanic population mirrors the entire U.S. population in education as well,†says McNamara. “We need to address this issue.â€

    Meanwhile, on the work side, he says he also has started producing movies for the same market. “Instructions Not Included†was the first bilingual success in mainstream U.S. theaters in 2013,  “Cesar Chavez” (2014) was the first bio pic about one of the most influential Hispanics for labor rights, and he’s looking forward to the equally inspirational story-plots of “Spare Parts†and “Aztec Warrior†in 2015.

    “It’s a fight between good and evil, and lots of special effects,†says McNamara about “Aztec Warrior,†starring Luis Guzman and Eugenio Derbez.

    He says he’s grateful for each phase life has granted him.

    “The sports job was the PhD, the events taught me how to sell, and best of all was Telemundo,†says the good-natured businessman. “The experience came in not knowing about Spanish television. I learned if you really commit, and I mean commit, you can really do anything. It opened up a lot of doors.â€

    And he adds he’s really grateful that his parents had always wanted him to learn Spanish, despite his initial resistance.

    “Be open to all ideas, and before you make up your mind. Take the time to learn a little about it, before you decide,†McNamara advises to youth.

    My advice to parents, especially Latino parents:

    “Do not let your kids not learn Spanish. There is a lot of peer pressure to not speak Spanish, but you’ve got to insist. English will take care of itself.â€

  • An iconic Colombian photographer finds new life in NYC at 92

    An iconic Colombian photographer finds new life in NYC at 92


    A woman with short hair wearing red necklace.
    Nereo López in Queens, New York. (Courtesy Facebook)

    Nereo López isn’t a typical 92-year-old; he’s more like a typical young, starry-eyed artist who wakes up at noon and gets inspiration from everything around him. His small frame is overpowered by his bright blue eyes anxiously anticipating what is about to come next in his life. López has not only rediscovered his art, he has gotten a second chance at a successful career and fulfillment.

    The Cruz de Boyacá winning photographer — one of the highest honors in Colombia — who had traveled the world taking photos, giving nearly 20 exhibitions, and published more than 10 works, saw his career plummet 12 years ago.  The man who met Gabriel García Márquez and Pope Paul IV had his center, the Nereo Center of Teaching and Culture of Photography in Bogota, Colombia, shut down due to lack of funds. He says after the age of 40, in Colombia, it is very hard to find work because you’re considered too antiquated.

    López says he was having thoughts of ending his life when a friend called from New York. She heard the distress in his voice about not being able to find a job, and how he was feeling depressed, so she bought him a ticket to the city that never sleeps — arriving the next day — to see if he’d like it better. He says he didn’t just like it better, he found another reason to keep living.

    “As soon as I arrived, I ran to all the photo galleries,†says López, describing his eagerness like a kid in an amusement park.

    The title of his photo book published last year, called “Nereo López: Un Contador de Historias,†describes what he is precisely — a storyteller. He says there was a time he used to have 14 cameras of different sizes to tell his stories. Now, he just uses one to make his life simpler and lighter — a compact Canon G9.

    “Photography still fascinates me,†says the man who one day started observing the faces of people leaving the subway and started a series of photos of just that. “What I have learned is to see.â€

    The talented López wasn’t always a photographer. He lost both parents at age 11, and started working when he was a teenager in a movie theater in Colombia, where he was promoted to manager after 10 years.

    “It was World War II, and you couldn’t travel in a plane with a camera during that time,†says López, explaining how his photography career began. “A friend asked me to watch his camera while he went on a trip, and I started to practice with his camera.â€

    He says he learned on his own with a book and a correspondence course that he never finished, and he was always asking questions.

    “I started taking photos in a series — like a movie,†he says. Still today, he says he’s always thinking in series — perhaps because of the many years of films he’s seen in the movie theater where he worked. “I always have my photos in my head, and I figure out what series they will go in later.â€

    When he was 27, he quit his movie house job, and started working as a photojournalist at one of Colombia’s largest newspapers, El Espectador. That is when he says he started to travel all over Colombia and started his photo collection for the book, “Colombia: Que Lindo Eresâ€/â€Colombia: How Beautiful You Are.â€

    “The subjects I most gravitated towards were children,†says Lopez who also has a series called, “Niños Que No Rienâ€/“Children Who Don’t Laugh.†“Perhaps because I didn’t really have a real childhood.â€

    In 1957, he became a chief photographer of the photographer’s magazine, Cromos, in Colombia. He says he was a photojournalist for 15 years before he started his center of photography where he taught up to 100 students at a time.

    Since he’s been in New York City, he has not wasted any of his precious minutes. He’s been recognized by the New York City Council and has shown his work at the Queens Museum and El Museo del Barrio.

    “It hasn’t been easy, because I don’t speak English,†says López in his native Spanish.

    He says he’s happy to not have to develop photos the old-fashioned way anymore. He’s well-equipped in his new one-bedroom apartment, in a building for the elderly, with bare white walls lined with varied books, including “Macs for Dummies.†The centerpiece of his living room is a shiny new 27-inch Mac computer, complete with scanner and printer. He explains he loves his craft even more now with modern technology.

    “For me, paper is obsolete,†he exclaims, laughing.

    One of the highlights of his week is going to a senior center in Queens, NY. Even though he moved to a different neighborhood, he still goes on Tuesdays, because that’s the day the seniors dance after lunch.

    “To see these seniors dance and have fun is life,†he says, joking that no one is older than him. “They have a desire to live. I take photos demonstrating their desire to live.â€

    He says he would like to publish a book of these photos called â€La Primavera del Ocasoâ€/“The Spring of the Sunset,†but he’ll only do it if it can have that name. He also started making goals for himself again — to be featured in a large museum such as, the Museum of Modern Art in New York City, and to live in Spain and Paris one day.

    “When I came to New York, I said to my friend, ‘I came to New York too late,†says López, eager to start on a new project with some young artists he’s encountered. “My friend responded, ‘You never arrive too late to New York, you just came with less time,’ but I hope to live 100 years more…I haven’t arrived to where I wanted to arrive, but I’m on my way.â€

    López says when he came to the U.S. and obtained his residency, and citizenship five years ago, he saw a new horizon.

    “When one sees a horizon, one sees life,†says the photographer with never-ending vision. “Here is where I’ll stay.â€

    This article was originally published on NBCLatino.com on January 10, 2013.Â