Tag: film

  • From Migrant Farm Worker to Educator, a Principal Unites His Community With Quinceañeras

    From Migrant Farm Worker to Educator, a Principal Unites His Community With Quinceañeras

    Gilbert Galván, principal of San Benito’s Veterans Memorial Academy with student. (Courtesy Avenida Productions)

    When there’s a problem in San Benito, Texas, Gilbert Galván often comes to the rescue. 

    San Benito is a close-knit city of approximately 25,000, located near the center of the lower Rio Grande Valley – nearing the southernmost tip of Texas. Just as San Benito physically touches Mexico to its west, in the same way, the people and culture of both lands intertwine.

    Gilbert Galván, who turns 68 this month, has played in integral part in maintaining the union of the two neighboring countries. As mayor of San Benito in the early 1990’s, he was instrumental in the building of the Free Trade International Bridge at Los Indios which provides easy access to the Mexican border cities of Matamoros, Reynosa and Valle Hermoso, and Monterrey.

    And more recently, as the principal of San Benito’s Veterans Memorial Academy for the past seven years, he is known as the “Quinceañera guy.” A quinceañera is an elaborate party, resembling the American “Sweet 16,” which celebrates the transition in Latino culture from childhood to young womanhood. When he overheard some female students saying they couldn’t afford one, he decided at that moment to provide this opportunity for every teenage girl in the town who didn’t have the resources for one. The event has now become an annual town celebration, which grew from four, its first year, to nearly 75 young ladies, and five boys, being honored this past year. 

    Gilbert Galván, and his son Gilbert Galván Jr., at the Panamanian International Film Festival in Los Angeles.

    This community event has been so impactful, one of Galván’s three children, Gilbert Jr., an attorney in the entertainment field, played a role in making sure this legacy was captured on film – along with Avenida Productions. The award-winning documentary, “Our Quinceañera,” directed by Fanny Veliz Grande will be screening next at CineSol Film Festival in South Padre Island, Texas, on November 23rd and 24th. 

    Galván’s very first quinceañera he volunteered to throw was as a freshman in college in 1972.

    “We were 10 brothers and sisters, and I did one for my little sister,” says Galván. “I am always ready to help people. [And now,] my goal to make my students happy…I tell the students I do all this, because they are our future. We need to encourage our youth to be bold and not be afraid – to challenge the world.” 

    Galván says one of his greatest challenges working in education, for the past 42 years, has been dealing with the community to change the future of its students. 

    “Latinos have come up and improved and improved. I love that,” says Galván, explaining he has always been hands-on his whole life. “If there are problems on the bus, I ride the bus. I go to students’ homes and talk to their parents. They ask me, ‘Do you really love us?’ I say, ‘Yes.’ I tell them every time I see them that I love them.” 

    Galván understands the importance of these gestures, because he didn’t have an easy childhood himself.

    “My grandparents came here from Spain,” he says. “They traveled from Spain to Cuba to Mexico, and finally to Texas through a grant. 

    Once in the U.S, Galván and his family became migrant farm workers moving from state to state depending on the harvest seasons. 

    “We picked cotton and okra in Michigan, Ohio, and California, and we picked apples and strawberries in Oregon,” recalls Galván about his farm laboring days which lasted until he was in the 10th grade. “We learned responsibility and money management, because my dad gave us money, and we had to buy food for the year…I was the first out of 10 to get a college degree, and when I did, my dad hugged my diploma for a week, or two, and that inspired me to help others in the community.” 

    Today, as a high school principal, he uses the money management skills he learned at an early age to plan out the intricate quinceañeras he throws. 

    “I had one for my daughter – it is quite expensive. We have dresses that cost $1,000 or $2,000 and they’re only worn once. [For the school quinceañeras], almost everything is donated to the girls,” says Galván, explaining that the local bakery offers to bake the cake, the dry cleaners and seamstresses offer their services for free, and a conjunto (band) volunteers to play the music.

    He says he also takes advantage of the excitement that the quinceañeras ignite in order to have meetings, with the students, and talk about college and careers. 

    “I tell them how to have a better future so that they can be prepared,” says Galván. “I consider our community like a family, and this is a way to help. It makes them feel very important…and now when I’m out in the mall, they call ‘Mr. Galván!” and they thank me, and they say, ‘We have to take care of you when you get older.’ I love them all.”

    https://youtu.be/0eSnxxlGDmw

    The people of San Benito have garnered so much attention since hosting these unifying celebrations that other cities have started to take notice. 

    “Other school districts have called me for guidance,” says Galván humbly. “Houston already started them…The most important thing is the happiness and success that result. People start helping in many ways and communities come together.”

    “I mainly want people to learn that there’s always hope, and dreams can come true.”


  • How the film, “Mamacita,” became a lesson on the power of forgiveness

    How the film, “Mamacita,” became a lesson on the power of forgiveness

    It was a chilly October night when “Mamacita” had its New York premiere at the Margaret Mead Film Festival at the American Museum of Natural History. However, Mexico-born and raised filmmaker/director José Pablo Estrada Torrescano warmed the auditorium as he announced his first feature-length film – a documentary about his grandmother, a self-made entrepreneur who proudly created an empire in Mexico’s beauty industry.

    “I made it with my heart – struggling, sweating…” said Estrada Torrescano, 37, on the stage.

    In the film, he also mentions a painful period in his life when, at 13, his mother passed away, and because of that, he lived only with his two brothers who were 16 and 18 years old. During this time in his life, he says he felt alone and abandoned by the rest of his family. Little did he know that embarking on this filmmaking experience would lead him to encountering some much needed personal inner-healing, as well as to establishing a bond with his usually emotionally distant grandmother.

    Here is a Q & A with Estrada Torrescano about how making this film ended up being a life-changing experience for him, as well as for his grandmother (who turned 100 today):

    What made you decide to make a film about your Mamacita, and how long did it take to complete?

    Before leaving Mexico City to study film in Prague, I told my family during a Christmas party that I was quitting mathematics, after it being my profession for 10 years, in order to follow my heart and study film. My grandmother, Mamacita, was very excited about it and made me promise to make a film about her life. I didn’t take it seriously at the moment, but after finishing my studies, I didn’t know what to do, so I told my professors about Mamacita’s life, and their reaction was amazing, so I finally decided to do her film. This was six years ago! The film took all these years to be finished, since I did it completely independently. At the moment of shooting, I decided not to have a script, or anything to guide me, except my intuition…I managed to get the resources to shoot thanks to a crowdfunding campaign…We managed to premiere “Mamacita” at HotDocs in Toronto, and even received the Top Audience Pick…

    What really stood out to me in your film is your focus on the concept of forgiveness. Why was this important to you? And what made you realize this is what Mamacita needed to do?

    Since everything was made intuitively, I didn’t know that forgiveness was going to be part of the film. Life just guided me in that direction. It was what was needed to be done, and I just did it… Now that I see things behind, and the fact that I managed to forgive Mamacita and my family, it has been crucial for my own development. And after having experienced that, I want everybody to know that forgiveness is the key! Would you imagine a world where we have all forgiven our family, friends and even our enemies? Where we have managed to let go all our regrets, our pain, our suffering? That would be paradise! And we could achieve it, if we would have the courage to confront our internal world without judging it – just seeing it, learning from it, understanding it. Being open to knowing that what others have done to us is because of their own ignorance and limitations – ignorance and limitations that we also have! We might not have the same limitations, but our own. And if we accept that, if I forgive myself for having them, then I can forgive others for having them as well.

    Did the forgiveness element of the film take place at the end of your stay? 

    Yes, “the secret thing that I did” to Mamacita for her to achieve forgiveness was in the end of my 3-month stay in Mexico City. It took me a long time to decide to do “it.” When Mamacita sensed that I was doubting, she said, “You know José Pablo, there are times when one needs to take a risk and do things,” so I took it as an invitation and did it.

    Do you think she has had a healing experience? How would you describe how she changed?

    I think that the whole process of doing the film was a healing experience for her. Before arriving to Mexico to shoot, Mamacita –who was 95 years old at that time– was constantly in a really bad mood. She was continuously fighting with her daughters, and with the people who work for her in her house. But having a camera in front of her, and somebody doing a film about her, made her so happy. She was the best person to work with! When I left Mexico, her daughters and the rest of the family started to come to eat at her house with her everyday, like in the old times. Mamacita is super happy now that her film is being seeing all around the globe in festivals.

    What about for you? How did this whole experience change/heal you?

    This has been possibly the best thing that I’ve done in my life. It was a life-changer. Not only because now I am a filmmaker, and have some kind of success, but most importantly because of having achieved forgiveness. For me to having forgiven my family was a HUGE thing, but it was not easy at all!

    After finishing the editing of the film, I had to confront many feelings that came out after more that 20 years of being repressed. This was probably the most difficult thing that I have experienced in my life. Those three months were like being in hell, and I’m not exaggerating. But after the worst night of them all, I woke up as if I was in paradise! All the terrible feelings just came out of my system, and peace and bliss were there now. I even thought that I was going to die. Anyhow, I’m just telling all this very personal stuff so more people dare to confront their fears, confront their pain. Look at yourself as you really are, learn from yourself, without judging.

    What is the most important thing do you think you learned from your Mamacita?

    Mmm…The logline of the film is “It’s never too late to forgive,” and just now, thanks to your question, I understood that’s the most important thing that I’ve learned from my grandmother, Mamacita.

    This interview has been edited for brevity and clarity.

  • Filmmaker reflects on grandmother in film, “306 Hollywood”

    Filmmaker reflects on grandmother in film, “306 Hollywood”

    The late Annette Ontell, owner of 306 Hollywood, Hillside, NJ.

    Jonathan Bogarín, 40, and his sister Elan Bogarín, 36, loved their grandmother so much, they immortalized her on film.

    The Jewish-American matriarch, Annette Ontell, passed away on April 4, 2011 at age 93 – leaving behind only memories, and artifacts, in her house at 306 Hollywood Ave. in Hillside, NJ, which she lived in for 70 years.

    The house was stark white – as if predestined to become the perfect canvas for the film that would be created after her death – using the artifacts from her life as props. She was a middle class fashion designer, with a sense of humor, who loved to make dresses fit for the Rockefellers, and she’d always make a duplicate for herself to wear.

    The brother and sister filmmaking duo named their award-winning film “306 Hollywood,” and its artistically mastered ethereal style, for such a weighty subject matter, landed it in Sundance Film Festival earlier this year. After successful showings in NYC, and Los Angeles, it will be screening next in theaters in Dallas, Portland and Seattle, and on Amazon next year.

    https://www.youtube.com/watch?v=pi_b_VdwazU

    “Making the film, made it easier to let the house go – the memories that we hold, and the cultural space that it holds. I can walk in and be in a 1970’s Jewish-American family,” says Jonathan.

    The idea for the film gradually developed. Elan and Jonathan started filming their grandmother 10 years before her death.

    “My sister was in film school when we started filming. Since we went to [our grandmother’s] house every single week, this added to the relationship,” says Jonathan.

    Filmmakers, and grandchildren of Annette Ontell, Elan Bogarín and Jonathan Bogarín

    Elan would ask her straight forward questions you might not normally ask someone if you weren’t filming like, “Grandma are you vain?,” “Do you miss sex?,” and “Are you scared of dying?”

    She’d always respond honestly and with her extraordinary wit.

    Here, Jonathan answers a few questions about the influence his grandmother had on his life:

    What is your most vivid memory of your grandmother since you were a little boy?

    It was more a feeling than a specific memory. She was a person who always made you feel better. She was a consistently supportive person who was always concerned for our well-being – the things she would do like make you food and made sure you ate enough.

    And your most vivid memory as an adult?

    It’s more of a lesson than a memory. It was her philosophy on how to live life. Despite the tragedies in her life, she’d always empathize with others. She taught us how to handle what life throws at you, and be kind and loving to others, and to find humor in situations. She did it all the time.

    What is the most important piece of life advice that she might have told you, or taught you, by the way she lived?

    Now I have a daughter who is 4 and a half years old. And it’s important to me to transmit the secular Jewish culture to her from my grandmother, and also the Latino culture that comes from my father. She set such an amazing example of how to keep the family together – worry about the things that are important, and not the things that are not as important.