Tag: El Barrio

  • How writing her life story led a woman to inner healing

    How writing her life story led a woman to inner healing

    Maria Aponte (Photo/George Malave)

    Maria Aponte was born and raised an only child in East Harlem, otherwise known as “El Barrio,” in New York City, to Puerto Rican parents.

    Because she lost her mother at 16, and her father at 22, loneliness was a battle she fought most of her life, but it was also what made her the undefeated warrior and artist that she is today. And perhaps, the eternal yearning for parental guidance and wisdom, is what drove her to create a non-profit which honors elders later in life.

    At 60, Aponte has achieved much. She has written and performed two one-woman plays, the autobiographical “Lagrimas de mis Madres,” and “I Will Not Be Silenced,” based on the life of Sor Juana Ines de la Cruz. She has also written a poetry book, and a memoir, “The Gift of Loss,” which most recently hit shelves. In addition to working full-time in career development at Fordham University, she also started a non-profit called Latina 50 Plus four years ago, through which she honors other Latina pioneers over the age of 50.

    “I got the opportunity to tell my story in “Lagrimas de mis madres,” says Aponte about the play based on the women in her family, which she wrote during her undergrad years.

    Aponte performing in her one woman show, “Lagrimas de Mis Madres.” (Photo/Elena Marrero)

    She says the story came easily, because she wrote the script using the poetry she had written throughout her youth.

    “I wanted to tell this story, because I was the last woman in my family, and I thought it could help others,” says Aponte, adding that she knew her work touched the audience when people would wait in the lobby to thank her for her courage to tell her story. “Eventually, it became a full-length play on off-Broadway. I took it on the road for 10 and a half years around the country.”

    Because she was not the “typical looking Puerto Rican actress” of the time, she explains, like Rita Moreno – but more Afro-Latina in appearance, Aponte says she found she would get more work if she wrote plays herself. Her next play about Sor Juana de la Cruz, she also developed into a one-woman show and took it on tour around the country.

    “I was an introvert, and I think the arts saved me,” says Aponte, about how she dealt with the early death of her mother. “Even though it was painful, I was always able to use my art to deal with my pain.”

    She says she knew she was born to be an artist as young as age 7.

    “I knew I wanted to be in the theater ever since I was a munchkin in the school play, ‘The Wizard of Oz’ – I connected to the stage,” says Aponte. “I was jumping up and down one day, and I smelled dust from the wooden planks of the stage, and I loved the smell. My first influence was my drama teacher at 13 – I was learning lines and stage plotting…I knew then that I knew I would be an artist, and I always have been in some form.”

    She adds that her favorite medium will always be theater.

    “I love live theater,” says Aponte. “When I do a poetry reading, I end up performing…To me, it’s not just memorizing lines but developing character and taking the audience on a journey. I fell into the poetry thing in the 80’s, and that’s when I started writing more. My saving grace was the Nuyorican Poet’s Café. When I walked in, I felt like I was walking into El Barrio. That’s where I discovered my Puerto Rican pride, and where I connected with elders like Pedro Pietri.”

    She says she also learned a lot from the late Miriam Colon who was the founder and director of NYC’s Puerto Rican Traveling Theater.

    “My elders taught me about my history and my culture,” says Aponte, who moved to the Bronx in the 1980’s, where she still resides today with her husband and fellow storyteller, Bobby Gonzalez.

    Now that she’s older, she would like to return the same favor and be an example for the youth she encounters.

    Aponte has led a structured presence, in her otherwise diversified creative life, working full-time at Fordham University for the past 19 years. She has spent time in various departments, but has stayed in career services for the past 11 years – in the managing diversity initiative, and in 2014 she simultaneously completed her MA in Latino Studies.

    “I don’t think you should stay stuck,” says Aponte. “I love the life I live today. A typical month could also involve sitting on panels and supporting other artists’ work. My heart is in the betterment and development of women of color.”

    For herself, she realized how life growth happens in stages, over time, and she tries to teach that to others.

    “I was always telling my story in pieces. I have played my grandmother, mother, myself as a child, and as a woman,” says Aponte. “I would never address my father. My parents separated when I was two. My dad was actually not a bad person, just an alcoholic. He was a percussionist and could sing…but I never experienced him myself, just from what I heard from others. I wanted to write also about forgiveness.”

    Through her writing, Aponte says she has documented the amount of years it took her to become her own woman.

    “It is about coming to terms with who you are, and thinking, ‘Wow, I went through all that,’ she says. “I have a tremendous gratitude for life. Like right now as I’m speaking to you, I’m smiling.”

    She adds that most people don’t want to deal with emotion, but everyone has to at their own timing.

    “People say I’m so calm, but I say it’s a lot of work,” says Aponte. “The best I can do is plant a little seed.”

    Why she created Latina 50 Plus?

    “In the industry I work in, career development, I felt that older Latina women were disappearing,” says Aponte. “I felt I needed to create a space where their history wouldn’t be lost. We need to honor the elders who rolled up their sleeves before us.”

    Latina 50 Plus is a non-profit currently in its fourth year. The fourth annual luncheon, taking place on June, 24, will be honoring seven women in the fields of art, community service, education, medicine, law and literature.

    The next goal, she says, is a mentoring program.

    Her advice to her younger self?

    “Being a child caregiver, I would ignore myself,” says Aponte. “I had to really work hard on that. That’s how my brain worked. That could be your own obstacle…You have to have passion and persistence, because if you don’t, you can get swallowed up in the mundane stuff. You must discover yourself. Ask yourself, ‘Who am I?’ Everyone is going to have that moment. Don’t be afraid of it. Accept yourself with all of your imperfections. It’s ok if you mess up.”

  • The King of Latin Soul, Joe Bataan, on what matters in life

    The King of Latin Soul, Joe Bataan, on what matters in life

    (Courtesy Joe Bataan)
    (Courtesy Joe Bataan)

    Born Bataan Nitollano to an African American mother and Filipino father, Joe Bataan grew up in Manhattan’s East Harlem in the 1950’s and 60’s – otherwise known as “Spanish Harlem,” or “El Barrio.”

    During that time, “El Barrio,” was a mainly Puerto Rican neighborhood where many Latin sounds started to boom. Bataan, who ultimately became a leading figure in Latin soul music, as a self-taught pianist and vocalist, was specifically influenced by Latin boogaloo and African American doo-wop. Fania Records spotted his talent, and signed him in 1966 – through which Bataan released his famous “Gypsy Woman” in 1967. He was also a main subject of the 2014 documentary on Latin boogaloo in New York City, “We Like It Like That.”

    “My first ambition was to become an athlete,” recalls Bataan, now 73. “I wanted to follow in the steps of Jackie Robinson. That didn’t realize, so at around 9, I decided I wanted to become a singer. I used to buy hit parade books and imitate the artists every Saturday morning – from Frank Sinatra to Tito Rodriguez.”

    Watching movies, he says, were also an inspiration to him.

    “It was like a romantic period – what you couldn’t see, you could sing about,” says Bataan. “Music gave you a good feeling and gave you a different outlook on the world. It was like an injection of happiness. It was motivating. That’s when my dream started.”

    However, his dream took a little detour. At 15, Bataan found himself as the leader of a gang called the Dragons and with a pregnant 13-year-old girlfriend. He was also sent to a correctional facility for stealing a car. It wasn’t until he was freed five years later, that he was able to resume his dream of becoming a musician.

    “I started a band and learned the piano,” says Bataan. “It took me like six months to put that band together [Joe Bataan and the Latin Swingers]…I found a group of young kids, around eight musicians that stuck with me – ages 11, 12 and 13 – I was 19. I taught myself the piano, and then I helped teach them. It was all trial and error.”

    He says it took a lot of hustling to become successful.

    “You just don’t pick up and say, ‘I’m a star,’ says Bataan. “You had to find out what was available, seek out executives to listen to you, and get a following from the public. I started out with a dream, and then I was able to fulfill it little by little. No one ever gave us anything. We had to go out and get it.”

    After a breakup with Fania, Bataan founded Salsoul Records in 1973. “Salsoul” was the term he gave the sound which blended salsa and soul. In the late 70’s, he ended up recording a rap hit under that label called, “Rap-O Clap-O.”

    https://www.youtube.com/watch?v=HcA4-HinQpQ

    In the 1980’s, Bataan’s music career plummeted due to a gambling habit, and he took another detour back to Bridges Juvenile Center in the Bronx. However, this time it was for 25 years, but not behind bars.

    “At 40, I found a job as a youth counselor exactly where I had been locked up [years ago],” says Bataan, who by then was raising a family. “I needed a job to pay my rent, but it turned my life around. I got to mentor troubled kids, just as I had wished someone had done for me. It makes me feel good that I had a meaningful part of my life besides music.”

    He says he used techniques inspired by karate to create the discipline the 10- to 17-year-olds so craved and needed.

    “Their role models were silly,” says Bataan. “They believed in somebody who had gold chains. A lot of them didn’t have parents, and they’d been on their own from a very young age. They needed motivation to change their life. If they don’t hear this from somebody, they’re lost.”

    Now that he’s retired from the juvenile center, he says that he is currently writing a book called, “Streetology.” It gives youth tips on how to survive in life, including how to speak on a job interview, and how to be respected.

    “Playing music for people is my pastime, but I also like to think I’m bringing a message,” says Bataan. “God has come into my life…He’s what allowed me to be here today. My faith in God has protected me all of my life.”

    Bataan explains that he grew up in Catholic school, but he wasn’t ready for God as a young boy. It wasn’t until he was in his late 50’s that he had his encounter with who he calls “The Big Boss.”

    “I went to see ‘Star Wars’ one day after work,” he recalls clearly. “I was borderline diabetic, eating all this popcorn at the movie. I came out, and I started to bleed out of my mouth. I started to lose consciousness, and I went into a coma. When I was in a coma, I felt God say, ‘Joe, why do you keep running away from me? I’m going to give you one more chance.’ I know he brought me back to life. The doctor had told my wife I wasn’t going to make it.”

    Coincidentally, he always sang his song, “The Prayer,” to himself for many years before that incident, but it took him 30 years to finally sing it in public.

    “I wasn’t ashamed anymore,” says Bataan about now one of his most popular songs. “I’m not just chasing women anymore – or a new house, or a new car. Joe Bataan is never going to be rich. God has me on a mission now. Everyday I wake up, and I thank God for another day.”

    And each day is busy. He enjoys taking care of his grandchildren daily, and he’s also back in the music business and very active touring.

    “Every month I’m performing somewhere around the world,” says Bataan who will be in Philadelphia on March 25 and on April 9 at Brooklyn Center for the Performing Arts in New York.

    He leaves us with this advice for life he wishes he had when he was younger:

    “Don’t get involved in something unless you have a passion for it. Never give up, and never accept the word ‘no.’ If you’re weak with your drive, you should pick another profession. You might not become wealthy, but that’s not the only thing that matters in life – it’s living, teaching and sharing…You also have to believe in something – a higher being to guide you in life. You must take care of your body to enable to do what you need to do in life, and knowledge – it’s criminal to let a day go by without learning something new. Spirit, health and knowledge.”