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  • Poet Laureate of Iowa writes about our food system

    Poet Laureate of Iowa writes about our food system

    Mary Swander, Poet Laureate of Iowa
    Mary Swander, Poet Laureate of Iowa

    For the past 30 years, Mary Swander has risen at 6 every morning in her one-room farmhouse in Kalona, Iowa – a town known for being one of the largest Amish communities west of the Mississippi.

    She, herself, is not Amish, or a farmer, however – although she does raise ducks and geese and a large organic vegetable garden from which she grows her own food.

    Swander, who recently turned 66, is the Poet Laureate of Iowa, and her 40-year writing career is currently at a peak.

    The multiple award winner for the literary arts has written the memoirs, “The Desert Pilgrim,” and “Out of This World,” as well as several books of poetry, a musical, “Dear Iowa,” and the plays, “Vang,” a drama about recent immigrant farmers and “Map of My Kingdom,” which tackles the issue of farmland ownership transfer. Both plays will be presented on November 13 at the Change Food Festival, which will be held at New York University in NYC.

    There’s a reason why much of Swander’s art focuses on food systems. It was food which was the cause of her debilitating illnesses she has battled for most of her life.

    “I became very chemically sensitive, and I ended up in a special hospital in Chicago,” recalls the writer. “They tested me on foods one at a time, and it took me months to come up with 12 foods which I should not eat. I had all sorts of symptoms. The worst ones were blacking out, horrible stomach pains – a whole variety of things. From that hospital, they told me to eat only organic food. They didn’t know if it was the hormones in the food, or pesticides that I was reacting to.”

    It was after a severe sickness in 1983, at age 33, when she made her life-changing decision to move to Amish country, which is characterized by the “old-fashioned” life amidst horse and buggies and sprawling farmland.

    “I could only eat organic food, and it was really hard to find at that time, so I started going to the Amish to buy it from them,” says Swander. “I got to know the area and the people, and one day I drove by an old schoolhouse and it had a ‘for sale’ sign. I thought how great that would be for somebody, and that somebody turned out to be me.”

    After her new diet cured her, Swander became very busy teaching English for more than 35 years at eight different colleges and universities. She spent the most time teaching at Iowa State University, where she became a “distinguished professor.” Eventually, she left teaching to become executive director of AgArts – an organization she founded, which began as a small group at ISU in 2008, and grew into a national non-profit organized through collectives throughout the U.S.

    “I was appointed poet laureate in 2009, and then in 2011, two more years, and then two more years,” says the Iowa-native, about her governor-appointed position which typically lasts two years. “The idea is to promote the literary arts around the state of Iowa.”

    During her seven year tenure so far, Swander has traveled to all 99 counties of her state to host readings and workshops in nursing homes, colleges, prisons, elementary schools, book clubs, rotaries, women’s clubs.

    “Every day, I look at my calendar and look at where I’m supposed to go,” says Swander. “People contact me. I did a couple of projects for the Department of the Blind and the School for the Deaf. I’m really interested in helping people with disabilities because of my experiences.”

    Being a writer was an idea conceived in Swander’s mind as a kid, but she actually started writing at 21 and has stayed with it ever since.

    “Some days I don’t like it, because it feels like work,” she says laughing. “But I love literature, and I love to read…I have a lot of influences from Chaucer’s ‘The Canterbury Tales’ to Elizabeth Bishop – a huge range of people. I started out in poetry – in which I wrote four books, but I’ve written non-fiction, plays and journalism.”

    Swander received her M.F.A. from the University of Iowa Writers Workshop, and she also became a certified and licensed practitioner of therapeutic massage.

    “I think for any artist, the biggest challenge is carving out time to do your art, but then you have to pay the bills at the same time,” says the writer, explaining how she started a massage therapy business at one point to supplement her income. “There’s a million different ways to arrange your life to do that so you have to find the way that works for you.”
    Nothing makes her more proud however, she says, than when she has a new book come out.

    “I’m always happy to write the next book, or perform the next play, or get the next idea for the next book,” says Swander, who also likes to educate the American public simultaneously. “We’ve got a huge horrible problem going on…Corporate America is taking over organic food…Too many preservatives, dyes and chemicals. It’s just not really healthy, and it’s all subsidized by big agriculture.”

    What advice would she give her younger self?

    “I would tell my younger self to just relax more and realize you’re on a journey. You have to put effort into things, but there are forces out there bigger than you are, so you might as well go with the flow.”

  • Legend rock guitarist, Javier Bátiz, on teaching Carlos Santana

    Legend rock guitarist, Javier Bátiz, on teaching Carlos Santana

    Legendary rock guitarist Javier Bátiz (Photo/Carlos Alvar)
    Legendary rock guitarist Javier Bátiz (Photo/Carlos Alvar)

    Javier Bátiz, known as the “Father of Mexican Rock and Roll,” has also been given the Spanish nickname, “Brujo del rock” – “meaning ‘warlock,’” he explains, from as long as he can remember.

    “I don’t know why…Maybe they think I’m a brujo, but I like it – it’s better than being called, ‘cockroach!,’” he says in his playful manner.

    The name makes sense, considering the definition of a “warlock” is “a male practitioner of magic,” and Bátiz says he’s had an inexplicable talent for playing music on the guitar, piano, saxophone and drums, ever since a young age.

    I asked him if he went to school for music.

    “There are no music schools in Tijuana,” he says, laughing deeply and with an energy that is contagious.

    Bátiz, now 72, and with more than 25 albums under his belt, has lived all his life south of the border in Tijuana, Mexico.

    “I still live in the house where I was born in,” says the award-winning musician. Just last year, the city of Tijuana had the street his house is on named after him.

    He was 12 when he first started playing the guitar.

    “I haven’t stopped since then,” says Bátiz. “My guitar playing is a gift from God. I take it very seriously that God gave me this blessing and to be able to share it. I like to teach people who want to learn. And some that I’ve taught, know more than me now.”

    He remembers fondly how he would tell his various friends in high school, “You’ll play the guitar, you’ll play the piano,” until he formed his own band called the TJ’s.

    “We’d cross the border to San Diego for Battle of the Bands,” says Batiz.

    He then mentions Grammy-winning musician, Carlos Santana, and how they met when they were both young boys.

    The young Javier Bátiz in the 1950's. (Courtesy Javier Bátiz)
    The young Javier Bátiz in the 1950’s. (Courtesy Javier Bátiz)

    “Santana’s mom saw me playing in a bar in Tijuana, and she brought him over,” says Bátiz, who was around 15 at the time. “She knew Santana wanted to play like me. I shared everything I know from my guitar to him.”

    Bátiz says Santana started playing with him when he was 12, and he stayed playing with him for about six years.

    “He left to San Francisco in ’65,” continues Bátiz. “I went to Mexico City…We are still really good buddies, and we try to get together when we can.”

    Bátiz continues to say it was when he moved to Mexico City that his music career really took off. He was heavily inspired by music by the blues sounds of B.B. King, Elmore James and Little Richard, which was pretty much unheard of in Mexico at the time.

    “I used to sing ‘Sweet 16,’ and they loved it…I worked with the big, famous musicians, and then I got married, and it all went to hell,” says Bátiz, laughing whole-heartedly again.

    “I’ve been married four more times,” says Bátiz. “But this time – Claudia and I – we’ve been together 25 years.”

    Although, they’ve been together for the past quarter decade, as Claudia Madrid plays the drums accompanying Bátiz, they just officially tied the knot last year.

    “We’re grandparents. It’s beautiful – it’s really great,” says Bátiz about what makes their relationship solid. “We travel, we work, we go to the movies, we go to the Sizzler and Popeye’s [he laughs again]. The music will keep us together. We play good music, and we have a lot of fun.”

    The 8-member Bátiz Band just played in Chicago, after having been in Los Angeles – where Bátiz was honored by the city on October 7 — and then they’ll go to Mexico City, and New York next month.

    “I’m very thankful, because I can still play,” says the musician. “I write the songs and play them – I play the piano, sax, all the instruments…It’s very natural. It’s a blessing.”

  • Bibi Ferreira, 94, performs in NYC and shares her life

    Bibi Ferreira, 94, performs in NYC and shares her life

    Bibi Ferreira (Photo/Willan Aguiar)
    Bibi Ferreira (Photo/Willan Aguiar)

    Bibi Ferreira is an entertainment powerhouse in Brazil — she’s been singing, acting, directing and producing for the past 75 years. At 94, she is also a force that doesn’t quit.

    The “Grand Dame,” as she is often called, was recently in New York City performing “4 x Bibi” at Symphony Space, a show saluting her four singing peers — Frank Sinatra, Édith Piaf, Amália Rodrigues, and Carlos Gardel.

    “They are not my favorite singers, but they are the best,” says Ferreira, in her deep, strong voice, about why she chose these four to tribute. “Piaf was a composer herself.”

    Although born in Rio de Janeiro, Ferreira speaks perfect English, as well as Spanish, French and her native Portuguese.

    “I had a lot of work to do,” she says about her childhood. “I was brought up in a British school. My mother was very tough with me. I spoke five languages at the age of 15. I also learned the piano and violin. It was a very, very busy life. I did whatever my mother wanted.”

    Ferreira’s mother was Spanish ballerina, Aída Izquierdo, and her father, the prominent Brazilian actor, Procópio Ferreira. So the stage became Bibi’s second home from when she was still only months old.  

    “A very special night for me was an opening act with my father on February 28, 1941,” says Ferreira about her professional stage debut at age 18 in the Italian play “La Locandiera.” “My father – the greatest actor from Brazil – taught me everything I know.”

    Bibi performing in "La Locandeira" at age 18. (Courtesy Montenegro y Raman Art) Productions
    Bibi performing in “La Locandeira” at age 18. (Courtesy Montenegro y Raman Art Productions)

    Throughout her career, Ferreira brought some of Broadway’s biggest musicals to Brazil in the 1960’s — as well as starred in them — such as, “My Fair Lady,” “Hello, Dolly!”, and “Man of La Mancha.” She sang and acted, touring worldwide, and even hosted various television programs, including Curso de Alfabetização para Adultos — a televised literacy course which taught more than 30,000 people in Brazil.

    “It was one of the things that most honored my career,” says Ferreira, who takes the art of communication very seriously. “My career has been a success – one on top of the other…The most important thing for an actor is to make yourself understood.”

    It wasn’t always an easy ride for Ferreira. She was married five times and had one daughter. Her last, and most successful, marriage was to Brazilian playwright, Paolo Pontes. However, after only eight years together, he died of stomach cancer at the age of 36, and she never married again.

    “Since I remember at the age of 12, I never decided anything in my life,” said Ferreira about her professional life. [My parents] decided my life…It’s a very severe way of living, but I like music very, very, very much – I really prefer the musicals.”

    These days, although she still performs and tours occasionally, she is now free to wake up when she wants.

    “I wake up, have my coffee and milk, go for the mail,” says Ferreira. “Sometimes I play a little piano which I adore. Then my assistant tells me what I have to do. I get ready, get dressed.”

    What is her most important piece of life advice which she wishes she could give her younger self?

    “Try to be simple. I think simplicity is the most important thing in life. It’s very important to just be yourself…The most important thing in life is to communicate. Just be happy. I could eat everything I want, and my health is good, so I’m happy!”

  • In My Mother’s Words: A lesson in love and hate

    In My Mother’s Words: A lesson in love and hate

    victoriaandmom

    Many people say they don’t watch the news, because it’s negative. I don’t necessarily agree with that mindset, but I respect it and understand it. But, there are times even I wish I didn’t have to watch the news. The idea that “ignorance is bliss” is something I wish I could achieve sometimes, but with my profession, I can’t.

    This summer alone, 49 people were killed at a nightclub in Orlando, where I lived for six years. I used to go dancing at that same nightclub. Racial tensions are at the highest I ever remember. Oklahoma. Baton Rouge. Minnesota. Dallas. Terror attacks continue. New York. Istanbul. Baghdad. France. The Syrian civil war is wiping out the little population it has left, and the ones who are lucky enough to escape are rejected by many of the places where they seek refuge. It’s draining. It’s frightening. It’s exhausting. It’s inexplicable.

    They say hate is taught, which reminds me of something my mom has always said:

    “Los hijos nacen blancos como un libro. Uno escribe en ellos lo que uno quiere.”

    (When children are born, they are like a blank book. Parents, and others, write in them what they want.)

    Sometimes, other things like mental health play a role in all these scenarios, and after a certain point, you’re responsible for your own decisions. But, I can’t help to look at kids and how they all play together. They don’t ask questions. There’s no prejudice. I’m sure they see a difference, because we’re all different, but they don’t pay it mind. I guess it’s part of being a blank book.

    I’ve never understood what the big deal is about people being different. This saying from my mom taught me we all have a story, and most importantly, it reminds me that before I judge, I should take a moment and read their book instead.

    VictoriaandMomVictoria Moll-Ramirez is a broadcast journalist based in New York City. She is originally from Miami, FL and had the great fortune of being raised by the sassiest, spunkiest, wisest, most hysterical Honduran woman in the world. Victoria’s mother, Bélgica, is 60-years-old, resides in Little Havana (Miami) and enjoys a good margarita accompanied by a heartrending ranchera. Victoria blogs about her mom’s funny and wise sayings on, “In My Mother’s Words.”

  • Pastor walks 150 miles in the name of immigration

    Pastor walks 150 miles in the name of immigration

    Bishop José Garcia during “El Camino del Inmigrante,” “The Walk of the Immigrant” (Photo/Esteban Garcia)

    Bishop José Garcia, 63, just finished walking an average of 12 miles a day, for 11 days straight. Not for exercise, but for the basic rights of immigrants.

    “El Camino del Inmigrante,” “The Walk of the Immigrant” in English, was a 150-mile pilgrimage from August 20 – 30, aimed at highlighting the challenges of the current U.S. immigration system, one of them being hunger of immigrants. The walk started in Border Field State Park on the U.S.-Mexico border and ended at the Metropolitan Detention Center in Los Angeles, with various stops in between.

    Garcia, who resides in the suburbs of Washington, D.C., with his wife, is currently the director of church relations at Bread for the World – a non-partisan non-profit organization focused on educating policy makers, and the public, about hunger in the U.S. and abroad. He also serves on the board of the National Latino Evangelical Coalition.

    “It’s been very emotional walking with the people and listening to all the different stories and the reasons they are doing the walk,” says Garcia who was accompanied by approximately 120 other walkers. “One of the individuals that I met told me that as they were crossing to come to the U.S., two of the people in their group got sick and were not able to keep the pace, and the coyote told them they had to leave them behind. This person told me they felt miserable, guilty, all these emotions walking away from these two individuals…”

    Walk participants placing crosses in the sand. Each cross represents a deceased individual who lost their life crossing the border. (Photo/Johnny Lim)
    Walk participants placing crosses in the sand. Each cross represents a deceased individual who lost their life crossing the border. (Photo/Johnny Lim)

    “I would like to create awareness of the plight of the immigrant and call to attention the political leaders, especially the candidates for the Presidency, for the need of immigration reform here in our country. We are doing this advocacy, because we see the connection between hunger and immigration.”

    According to research conducted by the Center for Immigration Studies, nearly 70 percent of Mexican immigrants, and their U.S.-born children, live in poverty. Many immigrant families are farmworkers who are hungry due to low wages; they also often don’t have access to health services, and work in hazardous conditions.

    “Immigration reform is more than giving citizenship but dealing with the laws and systems of why people leave their countries to begin with,” continues Garcia. “These men and women are bringing values, morality, their faith, and traditions that will contribute to making this a better country. It’s not only about what they get, but what they give.”

    The Christian pastor of more than two decades, says he empathizes with immigrants, because he himself migrated from Rio Piedras, Puerto Rico to the mainland U.S. at age 27. Since the island of Puerto Rico is a commonwealth of the U.S., he did not go through a lot of the legal issues other immigrants do, but some struggles he could relate to, he says.

    “[I would receive] a patronizing attitude,” says Garcia, who in addition to studying at a seminary, holds a master’s degree in public health from the University of Puerto Rico and a bachelor’s degree in biology from the Interamerican University of Puerto Rico. “Because I spoke Spanish, I was considered not smart enough. There were also stereotypes about our food.”

    While working as a state bishop from 2004-2014 at the Church of God of Prophecy in California, Garcia explains he was like a pastor of the other pastors in his state – making sure that they fulfill their duties.

    “Pastors have different issues. Many of them had congregants who were undocumented,” says Garcia. “That’s how I began doing advocacy for them – for immigration reform. Listening to their stories are very moving. One of the things I took for granted is that people live in fear – never knowing if their families are going to be separated. They felt that they couldn’t claim those rights. That’s why I engage in this work of advocacy.”

    He says a typical day for him, today, deals with meetings concerning strategies, signing letters, making press statements, representing law makers, trying to engage leaders, and mobilizing people locally.

    “My favorite part of my job is being on the field with the people crying for justice who are treated unfairly,” says Garcia. “God requires us to love one another, and the scripture teaches us to care for the stranger, and that for me is an affirmation of the work that I’m doing.”

    What piece of life advice would he give his younger self?

    “Be informed and engage in justice for those who don’t have a voice.”